La destrucción de patrimonio: arte rupestre en la península Burrup

Autores

  • José Antonio González Zarandona Universidad de Melbourne

DOI:

https://doi.org/10.37467/gka-revhuman.v1.677

Palavras-chave:

destrucción, patrimonio, colonialismo, identidad, tierra

Resumo

La destrucción de arte rupestre en la península Burrup, llevada a cabo por varias industrias colosales, estratégicamente localizadas en la península desde la década de los años sesenta, me permite analizar el concepto de patrimonio y encontrar un significado en la difícil tarea de interpretar arte rupestre. La península Burrup no sólo alberga el sitio arqueológico de arte rupestre más grande del mundo, sino que también uno de los depósitos más grandes de gas, mineral de hierro y sal. Como consecuencia, la tierra (sagrada para la comunidad aborigen), se ha convertido en un punto álgido ya que sostiene la economía creciente de Australia. En esta difícil negociación entre patrimonio y progreso, el arte rupestre encuentra nuevos significados y el patrimonio se torna efímero. Al no estar el sitio incluido en la lista de Patrimonio Mundial auspiciada por la UNESCO, los roles de identidad y memoria son impugnados por los dos grupos que representan ambos lados del debate: por un lado, los dueños tradicionales aborígenes y los arqueólogos; por el otro, el gobierno australiano y el es-tablecimiento cultural que le niega al arte rupestre una significancia estética al considerarlo “primitivo” y “arcaico”. El debate se torna cada vez más pertinente al darnos cuenta de que el gobierno australiano ha propuesto otros sitios y parques naturales para su introducción en la lista de Patrimonio Mundial, mientras que el arte rupestre de la península Burrup está catalogado como patrimonio nacional, mas no mundial. Como resultado, el concepto de patrimonio se puede definir en diferentes niveles: local, nacional e internacional.

Biografia do Autor

José Antonio González Zarandona, Universidad de Melbourne

Nací en México en 1980, donde realicé mis estudios universitarios en Ciencias de la Comunicación. Durante el periodo 2002-2003 estudié literatura en la Universidad de Salamanca, España, como parte de un programa de intercambio universitario. De regreso a México, me titulé en el año 2005 con una tesis sobre la historia del cine experimental, lo cual me llevó a aplicar a una Maestría en Estudios Cinematográficos en la Universidad de Melbourne. En el año 2008 me gradué y luego fui aceptado para continuar mis estudios de posgrado en el programa de Historia de Arte en la misma Universidad, supervisado por la Profesora Jaynie Anderson FAHA CIHA y la Profesora Asociada Louise Hitchcock. Mi tópico de investigación es la destrucción del patrimonio y se enfoca en el arte rupestre de Australia Occidental. Entre el año 2007 y 2009, trabajé como diseñador multimedia en la Galería Nacional de Victoria, un trabajo que desempeñé con anterioridad en varias casas productoras en México.

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Publicado

2012-03-05

Como Citar

González Zarandona, J. A. (2012). La destrucción de patrimonio: arte rupestre en la península Burrup. HUMAN REVIEW. International Humanities Review Revista Internacional De Humanidades, 1(2). https://doi.org/10.37467/gka-revhuman.v1.677

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