André Malraux's journey to China: antimémoires

Autores

  • Lourdes de los Ángeles Terrón Barbosa Universidad de Valladolid

DOI:

https://doi.org/10.37467/revhuman.v11.4354

Palavras-chave:

Malraux, Literature, China, Orient, Travel, Geopolitics, Twentieth century

Resumo

Malraux's writing forcefully poses the problem of the relations between the real and the imaginary, between action and its representation, between poetry and truth. As this article will show, André Malraux found in his trip to China the inspiration for a new process of artistic creation that culminates in his work Antimémoires, where action and history build the guiding thread of a metaphysical and mythological travel story. Our analysis will show how his life and his work, deeply united, are the two forms of an intense organization of himself, life constructed as work and work narrated as life.

Referências

AA.VV. Tableau de la littérature française. XVIIe-XVIIIe siècles. Gallimard.

Bernad, J.P. (1972). Le PCF et la question littéraire (1921-1939). Presses Universitaires.

Boisdeffre, P. (1957). André Malraux. Classiques du XXe siècle.

Brombert, V. (1961). The Intellectual Hero (Studies in the novel 1880-1955). Yale University Press.

Caldevilla Domínguez, D., & García García, E. (2014). Antonio Gramsci y las raíces lejanas del Eurocomunismo: el precedente olvidado. Vivat Academia. Revista de Comunicación, 129, 148-179. https://doi.org/10.15178/va.2014.129.148-179

Caute, D. (1967). Le Communisme et les intellectuels français. Gallimard.

Delperrie de Bayac, J. (1968). Les Brigades internationales. Fayard.

De Gaulle, Ch. (1970). Mémoires d’ espoir. Plon.

Gaillard, P. (1970). Malraux. Bordas.

Delperrie de Bayac, J. (1968). Les Brigades internationales. Fayard.

Elgey, G. (1968). La République des illusions. Tomo I. Fayard.

Elgey, G. (1969). La République des illusions. Tomo II. Fayard.

Hoffmann, J. (1963). L’Humanisme de Malraux. Klincksieck.

Langlois, W. (1967). L’Aventure indochinoise d’André Malraux. Mercure de France.

Malraux, A. (1926). La Tentation de l’Occident. Grasset.

Malraux, A. (1928). Les Conquérants. Grasset.

Malraux, A. (1930). La Voie royale. Grasset.

Malraux, A. (1933). La Condition humaine. Gallimard.

Malraux, A. (1935). Le Temps du mépris. Gallimard.

Malraux, A. (1937). L’Espoir. Gallimard.

Malraux, A. (1967). Antimémoires. Gallimard.

Malraux, A. (1943). La lutte avec l’ange. Primera parte: Les noyers de l’Altenburg. Éditions du Haut-Pays. Gallimard.

Malraux, A. (1945). Oeuvres complètes. Skira.

Malraux, A. (1947-1953). Romans: Les Conquérants, La Condition humaine, L’Espoir. Bibliothèque de la Pléiade. Gallimard.

Malraux, A. (1951). Les Voix du silence. Gallimard.

Malraux, A. (1952-1955). Le Musée imaginaire de la sculpture mondiale. T.I: La statuaire. T.II: Des bas-reliefs aux grottes sacrées. T.III: Le monde chrétien. Gallimard.

Malraux, A. (1974). La Tête d’obsidienne. Gallimard.

Roy, C. (1953). Descriptions critiques. Tome 2 Le Commerce des classiques. Gallimard.

Stephane, R. (1930). Portrait de l’aventurier. Sagittaire. Torancheau, P. (1972). Shi Pei Pu. Libération.

Viollis, A. (1935). Indochine S.O.S. Gallimard.

Downloads

Publicado

2022-12-27

Como Citar

Terrón Barbosa, L. de los Ángeles. (2022). André Malraux’s journey to China: antimémoires. HUMAN REVIEW. International Humanities Review Revista Internacional De Humanidades, 15(6), 1–10. https://doi.org/10.37467/revhuman.v11.4354

Edição

v. 15 n. 6 (2022): Monografía: "Rumo a uma nova definição de expressão artística?"

Seção

Artigos de pesquisa (monográfico)

Licença

Os autores/as que publicam nesta revista concordam com os seguintes termos:

  1. Os autores/as terão os direitos morais do trabalho e cederão para a revista os direitos comerciais.
  2. Um ano após a sua publicação, a versão do editor estará em acesso aberto no site da editora, mas a revista manterá o copyright da obra.
  3. No caso dos autores desejarem asignar uma licença aberta Creative Commons (CC), poderão a solicitar escrevendo a publishing@eagora.org.