Confrontation and reconcilement in contemporary native american theater

Two Native American plays

Autores

  • Sidoní López Pérez Universidad Internacional de La Rioja

DOI:

https://doi.org/10.37467/revhuman.v11.4344

Palavras-chave:

Native American culture, White culture, Theater, Confrontation, Tradition, Modernity, Reconcilement

Resumo

Contemporary Native American theater consists of a long list of plays which normally include indigenous and mixed-blood characters who often find themselves living between two worlds, that is, Native culture and white American society. Therefore, it is common to find a significant confrontation and conflict between the two cultures, which is usually solved at the end of the plays with the characters’ reconcilement or synthesis between their Native heritage and the white domineering society. In this way, Native Americans can ensure their Native cultural existence and survival whilst simultaneously adapting to the changes and customs required by white American society.

Referências

Allen, P. G. (1992). The sacred hoop: Recovering the feminine in American Indian traditions: with a new preface. Beacon Press.

Däwes, B. (2007). Native North American theater in a global age: Sites of identity construction and transdifference. Winter.

Däwes, B. (Ed.). (2013). Indigenous North American drama: A multivocal history. State University of New York.

Diyai, S. A. A., & Muhammad, M.G. (2018). Harmony of the fabric of society in Diane Glancy’s The woman who was a red deer dressed for the deer dance. Al-Ustath Journal for Human and Social Sciences, 3, 101-114.

Geiogamah, H. (2000). The new American Indian theater: An introduction. In Hanay G., and Jaye T. D. (Eds.). American Indian theater in performance: A reader (pp. 159-164). UCLA American Indian Studies Center.

Glancy, D. (2002). The woman who was a red deer dressed for the deer dance. American Gypsy: Six Native American plays. University of Oklahoma Press.

Gómez, Terry. Inter-Tribal. In K. A. Perkins & R. Uno (Eds.), Contemporary Plays by Women of Color (pp. 199-214). Routledge.

Heath, S. A. (1995). The development of Native American theater companies in the Continental United States. [Unpublished doctoral dissertation]. University of Colorado-Boulder.

Huntsman, J. F. 2000. Native American theatre. In H. Geiogamah & J. T. Darby (Eds.), American Indian theater in performance: A reader (pp. 81-113). UCLA American Indian Studies Center.

King, B. (2000). Emergence and discovery: Native American theater comes of age. In H. Geiogamah & J. T. Darby (Eds.), American Indian theater in performance: A reader (pp. 165-168). UCLA American Indian Studies Center.

Lincoln, K. (1983). Native American Renaissance. University of California Press.

López Pérez, S. & Benali Taouis, H. (in press). Las compañías teatrales nativas de Estados Unidos: Una historia concisa para entender su labor dentro del teatro nativo-americano contemporáneo. Editorial Dykinson.

López Pérez, S. (2018). The unstable development of contemporary Native American theater: Sites of conflict and discussion. Proceedings of the International Conferences on Social Science, Humanity and Education, 19-33.Berlin.

López Pérez, S. (2019). A concise overview of Native American written literature: Early beginnings to 1968. International Journal of Languages, Literature and Linguistics, 5(3), 176-185.

López Pérez, S. (2020). Confluencia entre cultura nativa y blanca en el teatro nativo-americano contemporáneo: Grandma y Grandpa (1984) de Hanay Geiogamah. Odisea: Revista de Estudios Ingleses, 20(2019), 91-104.

López Perez, S. (in press). Mundos literarios en contraste: el teatro nativo-americano contemporáneo frente a otras formas literarias. Thomson Reuters-Aranzadi.

López Pérez, S., and Benali Taouis, H. (2016). Native American theater: A concise history. Miscelánea: A Journal of English and American Studies, 54, 93-111.

Wheeler, J. (1991). A Revolution in Aboriginal Theatre: Our Own Stories. Canadian Theatre Review, 8-12.

Wilmeth, D. B. (2000). Noble or ruthless savage? The American Indian on stage and in the drama. In H. Geiogamah & J. T. Darby (Eds.), American Indian theater in performance: A reader (pp. 127-156). UCLA American Indian Studies Center.

Wong, H. D. (1991). Adoptive Mothers and Thrown-Away Children in the Novels of Louise Erdrich. In B. O. Daly & M. T. Reddy (Eds.), Narrating Mothers: Theorizing Maternal Subjectivities (pp. 174-192). University of Tennessee Press.

Yashpreet, D. (2015). Amalgamation of Inter-generational and Gender Realities in Inter Tribal. International Journal of English Language, Literature and Humanities, 3(1), 149–156.

Downloads

Publicado

2022-12-27

Como Citar

López Pérez, S. . (2022). Confrontation and reconcilement in contemporary native american theater: Two Native American plays . HUMAN REVIEW. International Humanities Review Revista Internacional De Humanidades, 15(6), 1–10. https://doi.org/10.37467/revhuman.v11.4344