Confrontation and reconcilement in contemporary native american theater

Two Native American plays

Autores

  • Sidoní López Pérez Universidad Internacional de La Rioja

DOI:

https://doi.org/10.37467/revhuman.v11.4344

Palavras-chave:

Native American culture, White culture, Theater, Confrontation, Tradition, Modernity, Reconcilement

Resumo

Contemporary Native American theater consists of a long list of plays which normally include indigenous and mixed-blood characters who often find themselves living between two worlds, that is, Native culture and white American society. Therefore, it is common to find a significant confrontation and conflict between the two cultures, which is usually solved at the end of the plays with the characters’ reconcilement or synthesis between their Native heritage and the white domineering society. In this way, Native Americans can ensure their Native cultural existence and survival whilst simultaneously adapting to the changes and customs required by white American society.

Referências

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Diyai, S. A. A., & Muhammad, M.G. (2018). Harmony of the fabric of society in Diane Glancy’s The woman who was a red deer dressed for the deer dance. Al-Ustath Journal for Human and Social Sciences, 3, 101-114.

Geiogamah, H. (2000). The new American Indian theater: An introduction. In Hanay G., and Jaye T. D. (Eds.). American Indian theater in performance: A reader (pp. 159-164). UCLA American Indian Studies Center.

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López Pérez, S. & Benali Taouis, H. (in press). Las compañías teatrales nativas de Estados Unidos: Una historia concisa para entender su labor dentro del teatro nativo-americano contemporáneo. Editorial Dykinson.

López Pérez, S. (2018). The unstable development of contemporary Native American theater: Sites of conflict and discussion. Proceedings of the International Conferences on Social Science, Humanity and Education, 19-33.Berlin.

López Pérez, S. (2019). A concise overview of Native American written literature: Early beginnings to 1968. International Journal of Languages, Literature and Linguistics, 5(3), 176-185.

López Pérez, S. (2020). Confluencia entre cultura nativa y blanca en el teatro nativo-americano contemporáneo: Grandma y Grandpa (1984) de Hanay Geiogamah. Odisea: Revista de Estudios Ingleses, 20(2019), 91-104.

López Perez, S. (in press). Mundos literarios en contraste: el teatro nativo-americano contemporáneo frente a otras formas literarias. Thomson Reuters-Aranzadi.

López Pérez, S., and Benali Taouis, H. (2016). Native American theater: A concise history. Miscelánea: A Journal of English and American Studies, 54, 93-111.

Wheeler, J. (1991). A Revolution in Aboriginal Theatre: Our Own Stories. Canadian Theatre Review, 8-12.

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Publicado

2022-12-27

Como Citar

López Pérez, S. . (2022). Confrontation and reconcilement in contemporary native american theater: Two Native American plays . HUMAN REVIEW. International Humanities Review Revista Internacional De Humanidades, 15(6), 1–10. https://doi.org/10.37467/revhuman.v11.4344

Edição

v. 15 n. 6 (2022): Monografía: "Rumo a uma nova definição de expressão artística?"

Seção

Artigos de pesquisa (monográfico)

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