Time in Miguel de Unamuno's "Paz en la guerra" and "Niebla"

Authors

  • Craig Bergeson Weber State University

DOI:

https://doi.org/10.37467/gka-revhuman.v4.750

Keywords:

Unamuno, Novels, Time

Abstract

Although many readers of Unamuno’s novels have noted that the style of his first novel, “Paz en la guerra” (1897), is quite traditional and that, therefore, it differs considerably from the style of the novels he will write later, it also contains elements that clearly link it to his subsequent novels. One of these is the manipulation of time, which detains time and produces what Henri Bergson would call the “virtualization” of time. Time is also detained and virtualized in other Unamuno novels—in particular, “Niebla.” For example, in “Niebla” various temporal anomalies reveal Unamuno’s desire to detain time and eternalize the moment in order to escape death and exist perpetually, a desire also present in “Paz en la guerra.” The present study therefore shows that through its particular manipulation of time, “Paz en la Guerra” is clearly linked to Unamuno’s more experimental novels.

Author Biography

Craig Bergeson, Weber State University

Profesor de español y Director del Departamento de Lenguas Extranjeras de “Weber State University”, en Ogden Utah. Sus intereses profesionales son Miguel de Unamuno, Cervantes, la ficción narrativa de la posguerra española, el tiempo en la literatura y la enseñanza de la literatura, cultura y lengua españolas.

References

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Published

2015-03-06

How to Cite

Bergeson, C. (2015). Time in Miguel de Unamuno’s "Paz en la guerra" and "Niebla". HUMAN REVIEW. International Humanities Review Revista Internacional De Humanidades, 4(2). https://doi.org/10.37467/gka-revhuman.v4.750

Issue

Section

Research articles