Severini and the internationalization of Valori Plastici
Collaborations and correspondence between 1919 and 1922
DOI:
https://doi.org/10.37467/revhuman.v11.4347Keywords:
Gino Severini, Valori Plastici, Carlo Carrà, Mario Broglio, Avant-garde art, L’Effort moderne, Call to orderAbstract
Among all the fascicles of the Valori Plastici magazine, its issue II-III stands out. While the magazine has always been characterized by a focus on Italy, this issue focuses on French Cubist art. It is proposed here as an objective to defend, through a documentary methodology that provides the unpublished documents consulted in the Archive of 900’(MART), that it was precisely Severini who was in charge of making that issue and that with it he established a short period of relations between the artists linked to the Valori Plastici and himself, with interesting consequences for communication between the Italian and French artistic fields.
References
Carrà, C. (1919-1920). Il rinnovamento della pittura in Italia. Valori Plastici, [cuatro entregas] -1ª nº
-12, I, 1919; -2ª nº 1-2, II, 1920; -3ª nº 3-4, II, 1920; -4ª nº 5-6, II, 1920.
Carrà, C. (1919). Pittura metafísica. Valecchi Editore. Edición en castellano: Carrà, C. (1999). Pintura Metafísica. Traducción Xavier Riu. El acantilado.
Carrà, M., Fagone, V. (Ed.). (1983). Carlo Carrà-Ardengo Soffici. Lettere 1913-1929. Campi del sapere/Feltrinelli.
Carrà, M. (Ed.). (2001). Il carteggio Carrà-Papini. Da Lacerba al tempo di Valori Plastici. Skira. Museo di Arte Moderna e Contemporanea di Trento e Rovereto.
Casini, G (2017). Gino Severini e Léonce Rosenberg: uno scambio commerciale e intellettuale per la difesa dell’arte moderna, 1917-21. Ricerche di storia dell’arte. Carocci editore.
Cocteau, J. (1926). Le Rappel a l’Ordre. París: Librairie Stock.
De Chirico, G. (1919). Il ritorno al mestiere. Valori Plastici, 11-12, I, pp. 15-19.
De Chirico, G. (1919). Sull’arte metafísica. Valori Plastici, 4-5, I, pp.15-18.
Fagliolo dell’Arco, M. (1991). Classicismo pittorico. Metafisica, Valori Plastici, Realismo Magico e “900”. Costa & Nolan.
Fossati, P. (1981). “Valori Plastici” 1918-22. Giulio Einaudi.
Fossati, P., Ferraris, P., Velani, L. (Ed). (1998). Valori Plastici, XIII Quadriennale. Skira.
George, W. (1921). Une exposition de groupe. L’Esprit Nouveau, nº 9, pp. 1023-1037.
Lahuerta, J. J. (Ed.). (1990). De Chirico, G. Sobre el arte metafísico y otros escritos. Murcia: Colegio Oficial de Aparejadores y Arquitectos Técnicos.
Pacini, P. (1981). Intorno al numero cubista di Valori Plastici. Critica d’arte 175/177.
Pontiggia, E (2005). L’enigmatico clasicismo. Il ritorno all’ordine in Europa (1919-1925). Abscondita, Carte d’Artisti.
Severini, G (1921). Del cubismo al clasicismo (estética del compás y del número). En San Martín, F.J. (Ed.). (1993). Colegio Oficial de Aparejadores y Arquitectos Técnicos.
Documentación del Archivio del 900’ (MART)
Fondo Gino Severini:
Sev. I.2.20 (1-16) Correspondencia con Mario Broglio
Sev. I. 2. 76 (1-7) Correspondencia con Giovanni Papini
Fondo Carlo Carrà:
Car. I. 133. (15-17) Correspondencia con Gino Severini
Downloads
Published
How to Cite
Issue
Section
License
Those authors who publish in this journal accept the following terms:
- Authors will keep the moral right of the work and they will transfer the commercial rights.
- After 1 year from publication, the work shall thereafter be open access online on our website, but will retain copyright.
- In the event that the authors wish to assign an Creative Commons (CC) license, they may request it by writing to publishing@eagora.org